Artspace Aotearoa - Exhibitions

08 May – 16 Jul 2020

Artspace Aotearoa Digital Residency

06 Mar – 04 Jul 2020

Ōtairongo

*Ōtairongo*, Maree Sheehan. Credit: Sam Hartnett 2020

*Ōtairongo*, Maree Sheehan. Credit: Sam Hartnett 2020

01 Feb – 07 Feb 2020

Queer Pavilion 2020

22 Nov – 20 Dec 2019

Summer Programme 2019

Illustration: Son La Pham

11 Oct – 09 Nov 2019

‘4/4’: Severine Costa, Xander Dixon

*Normative Utopia*
Neo-colonial “Edwardian” basin and taps, security mirror,
Resene “half-Escape” blue wall
Severine Costa
2019

*Untitled (pole markers)*
15 powder-coated aluminium tubes
2000 x 25 mm (appx)
Xander Dixon
2019

Image: Andreea Christache

*Opening Night*

*Ab(so)lution*
(Activated by Severine Costa)
Second-hand blue sink and taps, fish tank, garden piping,
hand pump, tumeric soap, monitoring charts
Severine Costa
2019

30 Aug – 28 Sep 2019

‘4/4’:Daniel John Corbett Sanders, Anh Trần

Design by DDMMYY

07 Jun – 17 Aug 2019

Guy Ngan: Whakamāui Recovery Positions by Mark Harvey

07 Jun – 17 Aug 2019

Guy Ngan: Either Possible or Necessary

*Guy Ngan: Either Possible or Necessary* Opening Night 2019

*Panel Wall*

Image Credit: Sam Hartnett

07 Jun – 17 Aug 2019

Guy Ngan: Heritage Registration

Guy Ngan, [title unknown], Presbyterian or Methodist Church, [date unknown]

Guy Ngan, Q&V Mural [TBC], ANZ Queen Street, 1960 [TBC]

15 Mar – 25 May 2019

Layover

*Layover*, 2019.

*Kai as Koha* (detail), BC Collective, multimedia installation, Bot Pots black clay, Macs red clay, Primo Paper clay, Macs white clay, Coyote underglazes and Abbotts clear glaze, black acrylic, digitally printed wallpaper, hiapo, miscellaneous meals, 2019.

Image: Sam Hartnett 2019

*Layover*, 2019

1. Wallpaper designed by Louisa Afoa, 2019.
2.*Locating Home*, Cora-Allan Wickliffe, 2018.
3. *The Kitchen*, Louisa Afoa, 2011.
4. *Reubens Room*, Louisa Afoa, 2011.

Image: Sam Hartnett 2019

16 Nov – 01 Apr 2019

Rozana Lee: Above The Sofa

16 Nov – 02 Mar 2019

Fiona Jack: Riverbed

*Fiona Jack: Riverbed*, 2018

1. *Riverbed*, wood fired rocks made by workshop participants, 2018

Image: Sam Hartnett 2018

15 Sep – 20 Oct 2018

The River Remains; ake tonu atu

*The River Remains; ake tonu atu*, 2018

3. *A Desire for Elsewhere*, Bronte Perry, mild steel, river rock, oioi, carex, muka, soil, linen, 2018.
4. *Te Rarawa and Maniapoto NSN 130711394-0033*, Tayla-Rose Kamira Campbell, graphite, 2015.
6. *Even Though You Give Me A Growling, I’ll Be Waiting In Your Wings, Ake Tonu Atu* (detail), Tyson Campbell, new materilaism, pond-cage, Tapu Ngāpuhi mud, piano script, witch stop stolen from Ponsonby mansion, Ralph Hotere inspired laser, decorative red ribbon, gift box, unfired seemingly apolitical clay, treaty-esque ink, egg shells to reference fragility, hickory horse bow and arrow, 2018.
8(i). *Breeding Negotiations: Assessment Criteria for Potential Opportunities* (detail), Olyvia Hong, colander, ceiling fan propellers, wood, chains, mirrored perspex, 2018.

Image: Sam Hartnett 2018

01 Jun – 28 Jul 2018

Susan Te Kahurangi King: Paperdwellers

Susan Te Kahurangi King, *Paperdwellers*, 2018

Image: Sam Hartnett, 2018

Susan Te Kahurangi King, *Paperdwellers*, 2018

Image: Sam Hartnett, 2018

04 Apr – 19 May 2018

Most Things Happen When I Am Asleep

*Most Things Happen When I Am Asleep*, 2018

1.*Toofprints*, Alice Yard, 31 posters and 31 postcards, 2018.

Image: Sam Hartnett 2018

02 Feb – 17 Mar 2018

Sorawit Songsataya: Starling

Sorawit Songsataya, *Starling*, 2018

Image: Sam Hartnett, 2018

27 Oct – 22 Dec 2017

Ex-Ante

*Ex-Ante*
October 27 - December 22

Seamus Harahan, 'Cold Open' (2014), DVPal, sound, 13:28

Photograph by Sam Hartnett

*Ex-Ante*
October 27 - December 22

Susan Schuppli, 'Trace Evidence' (2016) HD Video, colour with 4-channel sound, 53:00

Photograph by Sam Hartnett

08 Sep – 14 Oct 2017

OFFSTAGE 8

Cameron Ah Loo-Matamua with Wai Ching Chan, Ara Ariki Houkamau and Joseph Swanney.

04 Aug – 02 Sep 2017

Dirt Future

Tash Keddy
*Autonomy in four stages *(2017) | Multimedia
With contributions from: (Top to bottom, left panel)
Isaac Aggrey *Vaping in the Cinema*, Seb Martley
*Untitled*, Oliver Gilbert *Children of Darkness*,
Hamishi Farah *Luke Willis Thompson*, (Top to bottom,
right panel) Te Ariki Alistair Campbell *boys will be
boys*, Selena Gerzic *strangely arousing*, Tash Keddy
*History of Interior*, Diva *Blair Smash City*, Dotti
Neugebauer *Venus*.

Shiraz Sadikeen
*maggotformat1* (2017) | Mixed media on card and
paper
*maggotformat2* (2017) | Mixed media on card and
paper
*Zero1* (2017) | Acrylic on plastic

Nââwié Tutugoro
*Ko au te awa, Ko te awa ko au* (2017) | Blue tarp,
rope

Image: Samuel Hartnett

Image courtesy of Artspace Aotearoa

18 May – 01 Jul 2017

Singular Pluralities ∞ Plural Singularities

(link: http://artspace-aotearoa.nz/exhibitions/yuki-kihara-coconuts-that-grew-from-concrete text: - Yuki Kihara: *Coconuts That Grew From Concrete*)

(link: http://artspace-aotearoa.nz/exhibitions/sarah-smuts-kennedy-frequency-of-the-earth text: - Sarah Smuts-Kennedy: *Frequency of the Earth*)

18 May – 01 Jul 2017

Yuki Kihara: Coconuts That Grew From Concrete

18 May – 01 Jul 2017

Sarah Smuts-Kennedy: Frequency of the Earth

18 May – 01 Jul 2017

Shannon Te Ao: te huka o te tai

24 Mar – 28 Apr 2017

Biographies of Transition: Too Busy To Think

Billy Apple®, *Seven Day Sun Tan*, 1963. Offset photo lithography on
canvas, 1020 x 760mm. Shown for the first time

Billy Apple®, *Fingers and Posteriors*, 1963. Series of offset photo
lithography on canvas, 1070x 940mm Shown for the first time

David Hockney, *Untitled (American Ass)*, 1965. Graphite and coloured
markers on paper, 338 x 210 mm (drawing), 540 x 400 x40 mm (frame)
Shown for the first time

Marie-Louise Ekman,* En dam och en hund (A lady and a dog)*, 1973, 320
x 450mm, print

Halil Altındere,* Homeland*, 2016. HD video, color, sound, 09:49 mins.
Vocals and lyrics Mohammad Abu Hajar, Music Nguzunguzu. Courtesy
of Halil Altındere and Pilot Gallery,Istanbul. Commissioned and coproduced
by Berlin Biennale for Contemporary Art. Produced with the
support of SAHA, Istanbul

Ayesha Green, *For Hine*, 2017. Acrylic on Vinyl, 3200 x 5700 mm

Hamishi Farah, *pics or it didn’t happen*, 2014
Eight hardcover books: “curators”, “image surplus”, “life aint nothin
but a sandwich”, “monoculture:standing together”, “your pictures
deserve more lies”, “use this book’s static energy to charge your
phone”, “flattening and other actions”, “alien selfies”. All 255 pages
edition 1/3
Plinths designed by Kimberly Read and Alex Laurie

18 Mar – 18 Mar 2017

FAFSWAG: Disruption Vogue Ball

FAFSWAG: Disruption Vogue Ball 2017

FAFSWAG: Disruption Vogue Ball 2017

11 Feb – 25 Feb 2017

Offsite Exhibition: Pride 2017

Fiona Clark
*LGTB interior interior mural
Aunt Charlie’s Lounge San Francisco*
Photographic print, courtesy
of Michael Lett
2016
*Exterior sign Aunt Charlie’s Lounge*
San Francisco
Photographic print
Courtesy of Michael Lett
2016

Juliet Carpenter with ZK Steiner-
Fox
*baby*
Pure infrared photograph
2017
*FAKE PUNK I*
Cyanotype print
2017
*FAKE PUNK II*
Cyanotype print
2017
*HATE*
Cyanotype print
2017

(floor)
Daniel John Corbett Sanders
*The Nobodies*
Cotton/Spandex Rib, Polyester Elastic and Cotton patch with type
2017

Xun Cao
*The Passion of Cut Sleeves*,
Digital prints with silk and cotton
2015

03 Feb – 17 Mar 2017

Politics of Sharing/ On Collective Wisdom

*Local Time*
• *Local Time*: Waitangi 2 Feb-6 Feb 2017 1000+1300, 2017
A contribution to *Politics of Sharing* that was to extend the
opportunities for exchange, and collective, situational learning within the
exhibition by undertaking fieldwork at Te Tii Marae during the lead up to
Waitangi Day. *Local Time* have worked with Ngāpuhi photographer John Miller
to collaboratively offer a presentation of his work, and the opportunity for
people to hear his kōrero.

*Local Time*
• *Local Time*: Waitangi 2 Feb-6 Feb 2017 1000+1300, 2017
A contribution to *Politics of Sharing* that was to extend the
opportunities for exchange, and collective, situational learning within the
exhibition by undertaking fieldwork at Te Tii Marae during the lead up to
Waitangi Day. *Local Time* have worked with Ngāpuhi photographer John Miller
to collaboratively offer a presentation of his work, and the opportunity for
people to hear his kōrero.

10 Nov – 22 Nov 2016

Potentially Yours, The Coming Community

23 Sep – 29 Oct 2016

New Perspectives with Simon Denny

Charlotte Drayton
*Flexible spaces for happy people*
jointing compound, MDF, ¼ Spanish white house paint,
Mercator alabaster wall sconces
2016

Motoko Kikkawa
*Big drawings*
watercolour and ink on paper
2016

George Rump
Series of 5 collages:
*Memento 2000 (1 of 5)
Memento2000 (2 of 5)
Memento 2000 (3 of 5)
Memento 2000 (4 of 5)
Memento 2000 (5 of 5)*
2016