Artspace Aotearoa - Exhibitions

14 Nov – 05 Feb 2021

Koloa: Fafine, ‘Aati, Mo e Tekinolosia / Women, Art, and Technology

Detail: *Koloa: Fafine, ‘Aati, Mo e Tekinolosia / Women, Art, and Technology*

*Pongo*, Democratic Republic of Congo, c.1900–1920, bark cloth and natural pigment

Photograph by Sam Hartnett

Image: Tunakaimanu Fielakepa, the Dowager Lady Fielakepa.
Photographer: Kathrin Simon

14 Nov – 05 Feb 2021

WE ARE HERE: Artists Moving Image from the British Council Collection and LUX.

Design: Amy Yalland, 2020.

06 Nov – 05 Feb 2021

OUTGOING DESPATCH- street cinema programme

*Yokohama Linework* (still)
Shaun Gladwell
(16min 33sec)
2005
Chartwell Collection, Auckland Art Gallery Toi o Tāmaki, purchased 2010.

*Let there be light* (still)
Lisa Reihana
(3min 33sec)
2001
Auckland Art Gallery Toi o Tāmaki, purchased 2002.

08 Aug – 17 Oct 2020

New Artists Show 2020

From left hand side:

*The Competition 2011-2020*
Matt Ritani
Ink on Paper
2020

*Paeroa*
Ashleigh Taupaki
Concrete forms of the Kaimai and Coromandel-Moehau mountain ranges.
2020

*Nanny*
From the series *All The Careers I’ve Ever Considered Doing In Order To Finance My Art Career*
Claudia Kogachi
Machine tufted rugs
1520 x2140
2020

*Kei Matairangi tōku kainga ināianei*
Louie Zalk-Neale
Video and Found objects
2020

Image: Sam Hartnett

From the left hand side:

*Nanny*
From the series *All The Careers I’ve Ever Considered Doing In Order To Finance My Art Career*
Claudia Kogachi
Machine tufted rugs
1520 x2140
2020

*Paeroa*
Ashleigh Taupaki
Concrete forms of the Kaimai and Coromandel-Moehau mountain ranges.
2020

*Sparky*
From the series *All The Careers I’ve Ever Considered Doing In Order To Finance My Art Career*
Machine tufted rugs
1520 x2140
2020

*Collateral Damage*
Vanessa Crofskey
A0 Printed Posters
2020

*Landscaper*
From the series *All The Careers I’ve Ever Considered Doing In Order To Finance My Art Career*
Claudia Kogachi
Machine tufted rugs
1520 x2140
2020

Image: Sam Hartnett

08 May – 16 Jul 2020

Artspace Aotearoa Digital Residency

06 Mar – 04 Jul 2020

Ōtairongo

*Ōtairongo*, Maree Sheehan. Credit: Sam Hartnett 2020

*Ōtairongo*, Maree Sheehan. Credit: Sam Hartnett 2020

01 Feb – 07 Feb 2020

Queer Pavilion 2020

22 Nov – 20 Dec 2019

Summer Programme 2019

Illustration: Son La Pham

11 Oct – 09 Nov 2019

‘4/4’: Severine Costa, Xander Dixon

*Ab(so)lution*
Second-hand blue sink and taps, fish tank, garden piping,
hand pump, tumeric soap, monitoring charts
Severine Costa
2019

*The Archive*
Concertina folder, paper, pencils, ruler, pencil sharpener,
erasers
Severine Costa
2019

*Pole marker (4)*
Archival pigment print on cotton rag paper
Framed, 175 x 165 mm
Xander Dixon
2019

*Pole marker (5)*
Archival pigment print on cotton rag paper
Framed, 175 x 165 mm
Xander Dixon
2019

*Pole marker (6)*
Archival pigment print on cotton rag paper
Framed, 175 x 165 mm
Xander Dixon
2019

*Untitled (pole markers)*
15 powder-coated aluminium tubes
2000 x 25 mm (appx)
Xander Dixon
2019

Image: Andreea Christache

*Ab(so)lution*
Second-hand blue sink and taps, fish tank, garden piping,
hand pump, tumeric soap, monitoring charts
Severine Costa
2019

Image: Andreea Christache

30 Aug – 28 Sep 2019

‘4/4’:Daniel John Corbett Sanders, Anh Trần

*Your Thin Red Line*
Acrylic, Flashe, and spray paint on linen 2400 x 1900mm Anh Trần
2019

07 Jun – 17 Aug 2019

Guy Ngan: Either Possible or Necessary

*Guy Ngan: Either Possible or Necessary* Opening Night 2019

*Panel Wall*

Image Credit: Sam Hartnett

07 Jun – 17 Aug 2019

Guy Ngan: Heritage Registration

Guy Ngan, [title unknown], Windermere Apartments, 1974 [TBC]

Guy Ngan, [title unknown], Presbyterian or Methodist Church, [date unknown]

07 Jun – 17 Aug 2019

Guy Ngan: Whakamāui Recovery Positions by Mark Harvey

15 Mar – 25 May 2019

Layover

*Layover*, 2019.

*Kai as Koha* (detail), BC Collective, multimedia installation, Bot Pots black clay, Macs red clay, Primo Paper clay, Macs white clay, Coyote underglazes and Abbotts clear glaze, black acrylic, digitally printed wallpaper, hiapo, miscellaneous meals, 2019.

Image: Sam Hartnett 2019

*Layover*, 2019

1. *Gallony Ave*, Edith Amituanai, giclee pigment print, 2007.
2. *David's Residence*, Edith Amituanai, giclee pigment print, 2008.
3. *Tamakautoga photo with a Hero*, Edith Amituanai, giclee pigment print, 2018.

Image: Sam Hartnett 2019

16 Nov – 01 Apr 2019

Rozana Lee: Above The Sofa

16 Nov – 02 Mar 2019

Fiona Jack: Riverbed

*Fiona Jack: Riverbed*, 2018

2. *Workshop space*, 2018.

Image: Monique Redmond, 2018

*Fiona Jack: Riverbed*, 2018

2. *Workshop space*, 2018.

Image: Lea Schlatter, 2018

15 Sep – 20 Oct 2018

The River Remains; ake tonu atu

*The River Remains; ake tonu atu*, 2018

3. *A Desire for Elsewhere*, Bronte Perry, mild steel, river rock, oioi, carex, muka, soil, linen, 2018.
4. *Te Rarawa and Maniapoto NSN 130711394-0033*, Tayla-Rose Kamira Campbell, graphite, 2015.
6. *Even Though You Give Me A Growling, I’ll Be Waiting In Your Wings, Ake Tonu Atu* (detail), Tyson Campbell, new materilaism, pond-cage, Tapu Ngāpuhi mud, piano script, witch stop stolen from Ponsonby mansion, Ralph Hotere inspired laser, decorative red ribbon, gift box, unfired seemingly apolitical clay, treaty-esque ink, egg shells to reference fragility, hickory horse bow and arrow, 2018.
8(i). *Breeding Negotiations: Assessment Criteria for Potential Opportunities* (detail of performer Tane van Traa), Olyvia Hong, colander, ceiling fan propellers, wood, chains, mirrored perspex, 2018.

Image: Sam Hartnett 2018

*The River Remains; ake tonu atu*, 2018

9. *The Yellow Brick Road Home* (detail), Faamele Etuale, household items, bricks, felt lei, and old family photos, 2018.

Image: Sam Hartnett 2018

01 Jun – 28 Jul 2018

Susan Te Kahurangi King: Paperdwellers

Susan Te Kahurangi King, *Paperdwellers*, 2018

Image: Sam Hartnett, 2018

04 Apr – 19 May 2018

Most Things Happen When I Am Asleep

*Most Things Happen When I Am Asleep*, 2018

1.*Toofprints*, Alice Yard, 31 posters and 31 postcards, 2018.

Image: Sam Hartnett 2018

02 Feb – 17 Mar 2018

Sorawit Songsataya: Starling

Sorawit Songsataya, *Starling*, 2018

Image: Sam Hartnett, 2018

27 Oct – 22 Dec 2017

Ex-Ante

*Ex-Ante*
October 27 - December 22

Susan Schuppli, 'Trace Evidence' (2016) HD Video, colour with 4-channel sound, 53:00

Photograph by Sam Hartnett

Chia-Wei Hsu, 'Huai Mo Village' 2012, one-channel video installtion, 08:20 (still).

08 Sep – 14 Oct 2017

OFFSTAGE 8

Christopher Ulutupu, *Dispel* and *Fame* (2017) | Two channel installation

04 Aug – 02 Sep 2017

Dirt Future

Joanna Neumegen
*valium in a silk bag* (2017) | Security door and
window, letters

Image: Samuel Hartnett

Tash Keddy
*Autonomy in four stages *(2017) | Multimedia
With contributions from: (Top to bottom, left panel)
Isaac Aggrey *Vaping in the Cinema*, Seb Martley
*Untitled*, Oliver Gilbert *Children of Darkness*,
Hamishi Farah *Luke Willis Thompson*, (Top to bottom,
right panel) Te Ariki Alistair Campbell *boys will be
boys*, Selena Gerzic *strangely arousing*, Tash Keddy
*History of Interior*, Diva *Blair Smash City*, Dotti
Neugebauer *Venus*

Image: Samuel Hartnett

18 May – 01 Jul 2017

Singular Pluralities ∞ Plural Singularities

(link: http://artspace-aotearoa.nz/exhibitions/sarah-smuts-kennedy-frequency-of-the-earth text: - Sarah Smuts-Kennedy: *Frequency of the Earth*)

(link: http://artspace-aotearoa.nz/exhibitions/yuki-kihara-coconuts-that-grew-from-concrete text: - Yuki Kihara: *Coconuts That Grew From Concrete*)

18 May – 01 Jul 2017

Yuki Kihara: Coconuts That Grew From Concrete

18 May – 01 Jul 2017

Sarah Smuts-Kennedy: Frequency of the Earth

18 May – 01 Jul 2017

Shannon Te Ao: te huka o te tai

24 Mar – 28 Apr 2017

Biographies of Transition: Too Busy To Think

Marie-Louise Ekman, En dam och en hund (A lady and a dog), 1973, 320
x 450mm, print

Ayesha Green, *For Hine*, 2017. Acrylic on Vinyl, 3200 x 5700 mm

Hamishi Farah, *pics or it didn’t happen*, 2014
Eight hardcover books: “curators”, “image surplus”, “life aint nothin
but a sandwich”, “monoculture:standing together”, “your pictures
deserve more lies”, “use this book’s static energy to charge your
phone”, “flattening and other actions”, “alien selfies”. All 255 pages
edition 1/3
Plinths designed by Kimberly Read and Alex Laurie

18 Mar – 18 Mar 2017

FAFSWAG: Disruption Vogue Ball

FAFSWAG: Disruption Vogue Ball 2017

FAFSWAG: Disruption Vogue Ball 2017

11 Feb – 25 Feb 2017

Offsite Exhibition: Pride 2017

Ary Jansen
*i hate you, i hate you,
i hate you, because i don’t hate
you; i love you*
Projected video (9”18)
2016

*I hate you, I hate you, I hate you, because I
don’t hate you; I love you...* Opening
2017

03 Feb – 17 Mar 2017

Politics of Sharing/ On Collective Wisdom

*Local Time*
• *Local Time*: Waitangi 2 Feb-6 Feb 2017 1000+1300, 2017
A contribution to *Politics of Sharing* that was to extend the
opportunities for exchange, and collective, situational learning within the
exhibition by undertaking fieldwork at Te Tii Marae during the lead up to
Waitangi Day. *Local Time* have worked with Ngāpuhi photographer John Miller
to collaboratively offer a presentation of his work, and the opportunity for
people to hear his kōrero.

*Local Time*
• *Local Time*: Waitangi 2 Feb-6 Feb 2017 1000+1300, 2017
A contribution to *Politics of Sharing* that was to extend the
opportunities for exchange, and collective, situational learning within the
exhibition by undertaking fieldwork at Te Tii Marae during the lead up to
Waitangi Day. *Local Time* have worked with Ngāpuhi photographer John Miller
to collaboratively offer a presentation of his work, and the opportunity for
people to hear his kōrero.

10 Nov – 22 Nov 2016

Potentially Yours, The Coming Community

23 Sep – 29 Oct 2016

New Perspectives with Simon Denny

Aroha Novak

*Financial Considerations*
embroidery on cotton
2015

*False hopes*
embroidery on cotton
2015

*The Brook Project *
book
2015

*Pond*
embroidery on cotton
2015

*Ownership*
embroidery on cotton
2015

*Burning couch*
embroidery on cotton, paint
2015

Charlotte Drayton
*Flexible spaces for happy people*
jointing compound, MDF, ¼ Spanish white house paint,
Mercator alabaster wall sconces
2016

03 Sep – 15 Sep 2016

Offstage 7

Jermaine Dean

*‘Jermaine’ *
(2016) | 3:49 | Time based media
Producer: FAFSWAG Arts Collective
Director: Tanu Gago / Jermaine Dean
Camera: Tanu Gago / Pati Solomona Tyrell
Music: SCHLACHTHOFBRONX - LIGHTS OFF feat NICKY DA B

Kelsi Tulafono
*

20 Feb – 22 Apr 2016

The Bill

*Portrait of Amy Maud Bock at Mokau dressed as a Pierrot*
Photographer unknown
1914

*Church window*
Timaru
2008

*Publication: Mad or Bad? The Life and Exploits of Amy Bock *
Jenny Coleman
First published 2010

*Portrait of Amy Maud Bock at Dunedin Prison*
Photographer Guy Morris
1909

*Agnes Ottaway’s gravesite looking towards Nugget’s Point*
Andersons Bay Cemetery
2009

*Wedding Portrait by Cecil Wright Pattillo, Dunedin
Signed yours truly P.C. Redwood (Alias A M Bock)*
2009

*Site of Ferryman’s Cottage*
Mokau River
Mokau
2008

*Matewehe Mary Turner*
Waitara
1997

*Amy Maud Bock*
1920

*Wedding Portrait by Cecil Wright Pattillo, Dunedin, of P.C. Redwood*
(Alias A M Bock)

*Lil Nicol in Bell Block with Amy Bock Portrait and Camera*
1997

*Esme Bock in Brisbane Australia with the family Treasures*
2008

*arms and legs*
Wolfgang Tillmans
2014