*Layover*, 2019

*Gallony Ave*, Edith Amituanai, giclee pigment print, 2007.

Image: Edith Amituanai

Upcoming at Artspace and elsewhere ? Artspace runs its programmes from our main space on Karangahape Road. We are part of a larger local and international art community and, sometimes, we post about events happening elsewhere to support that whakawhanaungatanga.

Independent Curators International and Artspace Aotearoa organise the first Curatorial Intensive in Aotearoa New Zealand

Burning Out the Art Scene: How ST PAUL St Gallery are Doing Things Differently

Directors in Conversation: Remco de Blaaij and Aileen Burns/Johan Lundh

First Fridays - May

Uku Whistles

Tertiary Tour with Edith Amituanai, BC Collective, and Lana Lopesi

07 Jun – 17 Aug 2019

Guy Ngan: Either Possible or Necessary

Guy Ngan, *Procreation No. 2*,

Opening - Guy Ngan: Either Possible or Necessary

Guy Ngan, *Newton Post Office Mural*, 1973

ICI Curatorial Intensive Aotearoa, New Zealand

Image Courtesy of Artspace Aotearoa

View all upcoming

Previously at Artspace

16 Nov – 01 Apr 2019

Rozana Lee: Above The Sofa

16 Nov – 02 Mar 2019

Fiona Jack: Riverbed

*Fiona Jack: Riverbed*, 2018

2. *Workshop space*, 2018.

Image: Monique Redmond, 2018

*Fiona Jack: Riverbed*, 2018

3.23 *Traces: First woman Councillor of Dunoon*, Fiona Jack with Jim Jack, glazed stoneware jug, 2017.
3.24 *Traces: Feminist*, Fiona Jack with Adele Patrick, glazed stoneware pitcher, 2017.
3.25 *Traces: In the hands of the proletariat*, Fiona Jack, black angel polished cobbles, individually laser engraved by Alice at
Flux Laser Studio, Whisky Bond, Glasgow, 2018.

Image: Sam Hartnett 2018

15 Sep – 20 Oct 2018

The River Remains; ake tonu atu

*The River Remains; ake tonu atu*, 2018

6. *Even Though You Give Me A Growling, I’ll Be Waiting In Your Wings, Ake Tonu Atu* (detail), Tyson Campbell, new materilaism, pond-cage, Tapu Ngāpuhi mud, piano script, witch stop stolen from Ponsonby mansion, Ralph Hotere inspired laser, decorative red ribbon, gift box, unfired seemingly apolitical clay, treaty-esque ink, egg shells to reference fragility, hickory horse bow and arrow, 2018.

Image: Sam Hartnett 2018

*The River Remains; ake tonu atu*, 2018

3. *A Desire for Elsewhere*, Bronte Perry, mild steel, river rock, oioi, carex, muka, soil, linen, 2018.
4. *Te Rarawa and Maniapoto NSN 130711394-0033*, Tayla-Rose Kamira Campbell, graphite, 2015.
6. *Even Though You Give Me A Growling, I’ll Be Waiting In Your Wings, Ake Tonu Atu* (detail), Tyson Campbell, new materilaism, pond-cage, Tapu Ngāpuhi mud, piano script, witch stop stolen from Ponsonby mansion, Ralph Hotere inspired laser, decorative red ribbon, gift box, unfired seemingly apolitical clay, treaty-esque ink, egg shells to reference fragility, hickory horse bow and arrow, 2018.
8(i). *Breeding Negotiations: Assessment Criteria for Potential Opportunities* (detail), Olyvia Hong, colander, ceiling fan propellers, wood, chains, mirrored perspex, 2018.

Image: Sam Hartnett 2018

View all previous

Artspace reading room

In Human: Parasites, Posthumanism, and Papatūānuku
Emily Rākete

Beyond Essentialism: Contemporary Moana Art from Aotearoa New Zealand
Lana Lopesi

In response to the exhibition: Amy Howden-Chapman, Advice for our Aerial Ocean.
Abby Cunnane

Read more

Artspace Aotearoa is a non-profit art institution located on Auckland's Karangahape Road. Admission is always free.